FILM BURNS ON SUPER 8MM

Authentic super 8mm film burns and overlays for digital video editing

FILM BURNS ▪ LIGHT LEAKS ▪ SUPER 8MM

They are usually called film burns, but it would be more appropriate to name them light leaks. This bundle offers beautiful light experiments made on different kinds of super 8mm film (50D, 200T, 500T and Ektachrome).

200+ ELEMENTS ▪ 4K 4096 X 2768

For overlay use, the lighten and screen modes are best recommended. You can also use these effects as transitions or backgrounds.


HERE ARE SOME EXAMPLES OF WHAT YOU CAN ACHIEVE WITH FILM BURN OVERLAYS

For these kinds of effects, it is best to use the “screen” or “lighten” blend modes and to also play around with levels and/or black colour settings.

HERE ARE THE 4 TYPES OF FILM BURNS IN THIS COLLECTION

These are scans of real analog film footage. You can not ask for more organic and authentic material. Enjoy using it on any project like a music video, a feature length film, a documentary or an experimental art project.

SUPER 8MM FILM BURNS ▪ KODAK 500T

Kodak VISION3 500T is a high-speed, tungsten-balanced movie film characterized by a fine grain structure, broad dynamic range, and the flexible nominal sensitivity of a 500-speed index. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions, ranging from high-contrast outdoor lighting to mixed interior light situations. Advanced Dye Layering Technology (DLT) is also used to reduce the appearance of grain in the shadows for cleaner detailing and clarity. As part of the VISION3 series of movie films, this stock has high archival stability and is well suited to digital post-production processes.

SUPER 8 FILM BURNS ▪ KODAK 50D

Kodak 50D is a low-speed daylight-balanced color negative movie film which is characterized by its ability to record a wide dynamic range with increased highlight sensitivity. It has an exposure index of 50 when it is shot in daylight conditions and its very fine grain structure contributes to very high image sharpness.So this all means that what you get your hands on are scans of very real analog film footage. You can not ask for more organic and authentic material. It is a part of the vision2 series of movie films, this stock has high archival stability and is well-built to digital post-production processes. Kodak Vision3 50D Color Negative Film 7203 is the world’s finest grain film and it delivers unsurpassed image quality, real-world flexibility, digital compatibility and archival stability.

8MM FILM BURNS ▪ KODAK 200T

Kodak VISION3 200T is a medium-speed tungsten-balanced color negative movie film characterized by the fine grain structure of a 100-speed film with the flexible nominal sensitivity of a 200-speed index. It has a wide exposure latitude with exceptional highlight control for working in a variety of lighting conditions, ranging from high contrast outdoor lighting to mixed interior light situations. As part of the VISION3 series of movie films, this stock has high archival stability and is well-suited to digital post-production processes.

SUPER 8MM LIGHT LEAKS ▪ EKTACHROME

Kodak Ektachrome 100D Color Transparency Film #7294 is a daylight-balanced color transparency movie film characterized by its extremely fine grain structure, vibrant color rendering, and overall low-contrast profile. The lower contrast values contribute to a wide dynamic range and a neutral tonal scale for greater color accuracy, and a low D-min helps ensure brighter, whiter whites. It has a medium-speed nominal sensitivity of ISO 100/21° when shot in daylight conditions, and the smooth grain profile pairs with a micro-structure optimized T-GRAIN emulsion to make it especially well suited to telecine applications and digital post-production processes.

film burns and light leaks

 

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